#366: New York Jazz Sketches, Cartoonist Central without the Cartoonists & The Next Paris Sketchbook...
+Morris gets a close-up from Uncle Paulie
Well, here we are in 2024. I hope you had a great holiday. Sophie and I are back from Paris with an armful of sketches and about 3kg of added bread weight.
Thank you to all of my generous new paid subscribers who joined in the past few weeks. I really appreciate your support— keep an eye on your mailbox for that little bit of art. I hope you like it.
Every year for the past 9 years I’ve used my 'warm-up sketches' time on New Year’s Day to scribble a self-portrait. It’s the only time I do it. The style depends on whether I’m at the drawing board or sitting at the Cintiq. I don't meditate much on these; I just start drawing and see what emerges. It’s usually a reflection of my feelings about that year.
The 2023 Self-Portrait
Every year for the past 9 years I’ve used my 'warm-up sketches' time on New Year’s Day to scribble a self-portrait. It’s the only time I do it. The style depends on whether I’m at the drawing board or sitting at the Cintiq...
On our last day in Paris, we climbed the steps to Place Du Tertre, the home of live caricaturing in Montmartre which these days… doesn’t have many caricaturists at all. I wrote about it here:
Caricaturing the Caricaturists in Paris: Then and Now.
I first hit the summit of Caricaturist Everest 13 years ago. I had no idea what was waiting for me (or how naive I was about it.) At the time I didn’t realize what a tourist trap it was, more akin to Times Square than some bastion of fine art held in high esteem. Still, Montmartre wasn’t a place I knew about beyond glimpsing...
This weekend I’ll be sharing part #2 of my Paris Sketchbook Series. You can see Part #1 here:
Paris Sketchbook #1: Christmas Creatures of Bar 228
👆 Play this while reading. It was recorded on location. December 23, 2023 Rue de Rivoli, Paris Thawing out for the afternoon, we’ve decided to order the cheapest thing on the menu and take in the show of the lobby bar in Le Meurice, a hotel bordering the Tuileries.
Drawing people making music.
This week’s Sketchbook is a bit of a throwback: I was cleaning out the studio on New Year’s Eve when I found a little notebook I’d been keeping in my pocket when I went to see jazz around the city in 2022— usually Smalls or Django. I always give myself about 30-60 seconds with these to get the shapes down.
While I do love the convenience of an iPad/Wacom/Xenselabs tablet… I can’t ever replicate the joy of using analog tools. I’m starting a new Substack in 2024 called “Process Junkie” to explore all of the joys of the Process of making art. If you’re interested in that kind of thing, you can sign up here.


























Love every one of the Jazz sketches. Now if only there was a Morris Jazz Goblin.